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M. LYN FINE ARTS

4500 W 30th Ave.
Denver
3035872030
ARTIST MICHELE LYN

DENVER, CO ARTIST

MICHELE LYN

M. LYN FINE ARTS

  • Custom Framing
  • Photography
  • PRINTS
  • CV
  • CONTACT
  • ME
11Absence.jpg

UNITED UNTIED

Swaddled together forever in ponder and play,

unite

u n t i e

u n t i e

unite

Nearness inherently holds far-ness, right?

inside

outside

through

as a whole

in its parts

:DNA makes our bodies transparent:

holding

family

memory

theory

United U n t i e d (2010-2016) is the second body of work from my ongoing research project, The Poetics of Twinship. Initially my curiosity was driven by science: its capacity to provide evidence was soothing. My first exploration of this work, Twice Upon A Time (2008-2010), shows my obsessive compulsion to prove the validity of my questions. Although science continues to inform my art, it is no longer my central mode of inquiry. I am less concerned now about proof and more curious about the act of questioning itself. What is it like to be a twin? I unfolded the spaces surrounding Question and Answer by opening my process to countless contributors, my two favorites: chance and synchronicity. Perhaps this is because these two ideas are at the root of all identical twins’ existence: one egg spontaneously split into two.

United U n t i e d documents my attempt to describe twinship. For me, being a twin is often an oscillation between individuality and togetherness on many levels: on the surface of our bodies (the physical), below the surface of our bodies (the genetic) and beyond the surface of our bodies (the psychological, spiritual and philosophical). Over the past six years I collected and created numerous metaphors. They came from various sources: family snapshots, quotes from philosophers and twins, memories, mapping techniques, my body, etcetera. I began this research in my family archive because it contained the first images of my twin and me. Two fundamental facts became evident: being a twin is an inherently visual experience and the question of “Who is who?” is a practical necessity. Seeing double immediately produces a lot of questions.

UNITED UNTIED

Swaddled together forever in ponder and play,

unite

u n t i e

u n t i e

unite

Nearness inherently holds far-ness, right?

inside

outside

through

as a whole

in its parts

:DNA makes our bodies transparent:

holding

family

memory

theory

United U n t i e d (2010-2016) is the second body of work from my ongoing research project, The Poetics of Twinship. Initially my curiosity was driven by science: its capacity to provide evidence was soothing. My first exploration of this work, Twice Upon A Time (2008-2010), shows my obsessive compulsion to prove the validity of my questions. Although science continues to inform my art, it is no longer my central mode of inquiry. I am less concerned now about proof and more curious about the act of questioning itself. What is it like to be a twin? I unfolded the spaces surrounding Question and Answer by opening my process to countless contributors, my two favorites: chance and synchronicity. Perhaps this is because these two ideas are at the root of all identical twins’ existence: one egg spontaneously split into two.

United U n t i e d documents my attempt to describe twinship. For me, being a twin is often an oscillation between individuality and togetherness on many levels: on the surface of our bodies (the physical), below the surface of our bodies (the genetic) and beyond the surface of our bodies (the psychological, spiritual and philosophical). Over the past six years I collected and created numerous metaphors. They came from various sources: family snapshots, quotes from philosophers and twins, memories, mapping techniques, my body, etcetera. I began this research in my family archive because it contained the first images of my twin and me. Two fundamental facts became evident: being a twin is an inherently visual experience and the question of “Who is who?” is a practical necessity. Seeing double immediately produces a lot of questions.

United

United

8 1/2” x 8 1/2” Archival Pigment Print, 2015

United Untied Research Notebook

United Untied Research Notebook

11” x 8 1/2” Archival Pigment Prints, 2010-2016

pages 1-2 from United Untied Research Notebook

pages 1-2 from United Untied Research Notebook

11” x 8 1/2” Archival Pigment Prints, 2010-2016

United Untied Research Notebook 2010-2016

Time-lapse

pages 16-18 from United Untied Research Notebook

pages 16-18 from United Untied Research Notebook

11” x 8 1/2” Archival Pigment Prints 2010-2016

Togetherness

Togetherness

17” x 17” Archival Pigment Print, 2015

Symmetrical Identities

Symmetrical Identities

11” x 8 1/2” Archival Pigment Print, 2016

Symmetrical Identities Detail

Symmetrical Identities Detail

North

North

17” x 17” Archival Pigment Print, 2015

Eclipsing Identities

Eclipsing Identities

11” x 8 1/2” Archival Pigment Print, 2016

Eclipsing Identities Detail

Eclipsing Identities Detail

Me, Pondering Mom's Ultrasound

Me, Pondering Mom's Ultrasound

17” x 17” Archival Pigment Print, 2015

Presence

Presence

8 1/2” x 8 1/2” Archival Pigment Print, 2015

Homecoming Freshman Year

Homecoming Freshman Year

11” x 11” Archival Pigment Print, 2015

Absence

Absence

8 1/2” x 8 1/2” Archival Pigment Print, 2015

Measuring

Measuring

22” x 17” Archival Pigment Print, 2016

Dust Constellation

Dust Constellation

22” x 17” Archival Pigment Print, 2015

Sugar Free Klondike Bar

Sugar Free Klondike Bar

22” x 17” Archival Pigment Print, 2015

i-dentical

i-dentical

8 1/2 “ x 8 1/2” Archival Pigment Print, 2015

Genetic Dark Matter

Genetic Dark Matter

22” x 17” Archival Pigment Print, 2016

pages 10-12 from United Untied Research Notebook

pages 10-12 from United Untied Research Notebook

11” x 8 1/2” Archival Pigment Prints, 2010-2016

pages 46-49 from United Untied Research Notebook

pages 46-49 from United Untied Research Notebook

11” x 8 1/2” Archival Pigment Prints, 2010-2016

Translation

Translation

22” x 17” Archival Pigment Print, 2016

pages 29-32 from United Untied Research Notebook

pages 29-32 from United Untied Research Notebook

11” x 8 1/2” Archival Pigment Prints, 2010-2016

I see Her: She sees Me, after Sir Francis Galton

I see Her: She sees Me, after Sir Francis Galton

14” x 11” Archival Pigment Print, 2016

I overlaid my twin and my face in photoshop to make a composite portrait. When I look at it I see her and when she looks at it she sees me.

pages 69-70 from United Untied Research Notebook

pages 69-70 from United Untied Research Notebook

11” x 8 1/2” Archival Pigment Prints, 2010-2016

pages 84-85 from United Untied Research Notebook

pages 84-85 from United Untied Research Notebook

11” x 8 1/2” Archival Pigment Prints, 2010-2016

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